Crossed-Out Warsaw is a project about dreams. Dreams of newborn polish society. To discover them, you take a VR journey through a legendary government district of Warsaw, that was never constructed. In the country of Poland, after years under occupation, gained back its independence and appeared again on the political map of Europe. It included major buildings like the new Parliament, headquarters of public institutions, foreign embassies, Polish Radio Headquarters, and a monumental temple of Divine Providence. It was a modernist, monumental concept, that symbolized spirit of newborn polish society that times. Poles were ambitious, forward thinking and strong nation, but because of the disasterous history ,that happened in , they were broken one more time and their plans of constructing the architectural heart of Poland were gone forever. Our project gives fantastic and unique opportunity to see those dreams of Polish people, that never came true. By taking a virtual walk through their dream-city you can experience the true values and feelings of polish people from that time and materialize their legacy that was about to be lost. Augmented Reality experience, dedicated for smartphones, will give the unique opportunity to see the city of Warsaw as it looked before its destruction during WW2.
Typographic Matchmaking in the City Public Presentation
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The opening reception will take place on Thursday, February 7 from 7 p. Scripts are living cultural artifacts, each with its own technical, formal and historical conventions. This exhibition features a collection of contemporary multi-script typefaces produced by type foundries from around the world. Projects on display illustrate how type families can maintain their characteristics across multiple scripts while at the same time addressing the growing need for multilingual type design due to globalization and new information technologies.
On display will be a collection of contemporary typefaces in the form of large-scale type specimen panels featuring a Latin character set alongside its non-Latin counterparts. Participants include: Adobe Originals, Morisawa Inc. Raymond Avenue, Pasadena, Calif. For more information, contact hmct artcenter. By appointment only. Please call for an appointment: Images of the exhibition are attached to this release.
More images are available upon request. The mission of the Hoffmitz Milken Center for Typography is to set the standard of excellence in typography education; elevate and advance the teaching and understanding of both letterform design and typographic practice; provide valuable support and service to the educational and professional communities, reinforcing the meaning and value of typography; and to honor the past and anticipate the future of typography in a society of rapidly changing visual communication methods.
The Center serves as an educational forum, design laboratory, research center, and archive.
EVENT: Typographic Matchmaking in the City at Creekside, Dubai
We have lost this relationship between typography, material and architectural space. Knowing someone else is knowing his language, seeing his language. The film tracks a year-long collaboration between five teams — comprising 15 Dutch and Middle-Eastern graphic designers, architects and typographers — as they seek to create truly-dual Arabic and Latin script types to be used in public spaces.
(Abi Fares Typographic Matchmaking in the city () http://vimeo. The Khatt foundation published a book along with a documentary.
TMMC at De Balie in Amsterdam will feature a symposium, book launch and film screening, not to mention some big names in type and graphic design. Typographic Matchmaking in the City TMMC is a design research project investigating new approaches to bilingual lettering and poetic narrative for public spaces. The project has proven to be highly inspirational for the participating designers; it brought together creatives from different cultural backgrounds who intensely collaborated over a 2 year period, creating coherent products with groundbreaking results.
This project shows the important role that design can play in initiating cultural change, assimilation and integration—by simply using our basic daily mode of communication: the written word. The Khatt Foundation , Center for Arabic Typography, is a cultural foundation dedicated to advancing design research and typography in the Middle East, North Africa and their diaspora, and to building cross-cultural creative networks. Subscribe to newsletter. Start date : End date : Country : The Netherlands.
Location : De Balie. By Editor Design. Add to favorites. Points of sale.
The concept is based on design as a tool to break down borders and transform society for the better, exploring the boundaries of the world we live in though design and visual communication. Creative values are humanitarian values Ideas, curiosity and dreams need no passports, papers or travel permits. Ideas born in one place can have massive impact on the other side of the planet.
This fluid transmission of culture and knowledge builds the world we live in. And, for the creative community, it drives our work.
Website for dam A series of monthly lectures about type and typography from Amsterdam.
About the part that art plays in a globalising society. Exhibition: On the Nature of Botanical Gardens. Exhibitions All exhibitions. Eerste workshop in de The City is Ours reeks. Dipsaus podcast. Locatie: Werkplaats Molenwijk. Centred around exhibition UnAuthorised Medium. Presented in the context of exhibition ‘Pressing Matters’. Lecture ‘Sporen van de Spaanse burgeroorlog in Amsterdam Noord’. On the historical construction of gender and sexuality within the ethnographic collecting practices of museums.
The Typographic Matchmaking projects were initiated by the Khatt Foundation as a means to bring about cultural dialogue through collaborative design projects. The goal was to investigate alternatives to the Arabic fonts available on the market and to propose through specific themes new design solutions. The projects have proven to be highly inspirational for the participating designers; they brought together designers from different cultural and professional backgrounds to intensely collaborate on creating coherent products with groundbreaking results.
These projects show the important role that design can play in initiating cultural change, assimilation and integration—by simply using our daily basic communication mode: the written word. Typographic Matchmaking v1. The research explored the bilingual and dual-script needs of contemporary design in the Arab world and Middle East for publications and new-media.
The Hoffmitz Milken Center for Typography [HMCT] South Campus as well as the documentary Typographic Matchmaking in the City
My first discoveries One of the first impressions I got of the Typographic Matchmaking, was an image of a huge three-dimensional shape with letters that I did not manage to read. The shape proved to be a mixture of both Latin and Arabic words, translating each other and forming a common text. As a matter of fact, it was a construction of the type font StoryLine, and one of the outcomes of the Typographic Matchmaking 2.
The project The first initiative to the Typographic Matchmaking took place in , the second in There is a lot to say about the project. The Typographic Matchmaking 1. The Typographic Matchmaking 2. Here, the focus is to bring the marriage between Arabic and Latin writing cultures to the three-dimensional city. Each team also deals with a different subject. It is inspiring to me that they immediately move away from the original classical type and experiment with both language types, starting from scratch.
Backgrounds I find it interesting to mention, that one of the reasons argued for the Typographic Matchmaking is, that because of the poor matches between the Arabic and Latin fonts, most bilingual design projects in the Middle East start in English before getting translated. Too often, the street sign you meet in the Middle East are written in a way that forces the Arabic language to adjust to the Latin language.
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Want to learn how to design a logo? A good overview for matching typefaces. Big congrats to St. Aloysius Detroit for their new visual identity! It was a pleasure working on this alongside the Archdiocese of Detroit and seeing it out in the world.
Just like the first Typographic Matchmaking project, there are 5 teams documenting each step to produce the book and a documentary movie.
Charles Manson feature documentary. We’re a documentary production company, Spiritlevel, that specialises in arts and history feature docs. We need artwork for a new documentary looking at the musical dreams of Charles Manson, and how his failure to make it as a rock star led to the crimes that defined him. Uploaded are some images of Manson and the counterculture – we have licensed these from Getty Images as part of our license agreement for the documentary.
We can iuse a combination of up to 6 images within this montage. We have access to more options if necessary.
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Find this Pin and more on Arabic type by Jomana mana. Arabic Art. Research Projects. Dubai Uae.
The Typographic Matchmaking projects were initiated by the Khatt Foundation as a by and made for the urban public space, one book and a documentary film.
As hosts, we are interested in expanding more traditional definitions of type design established within education programmes and institutions. We are excited to welcome a lively and diverse group of artists, designers and researchers to explore type happening in Amsterdam. The lectures are open to the public and free. Experts, non-experts, type enthusiasts, writers, design students might be especially interested in joining.
This year letterspace decided to join the open call in order to showcase the platform, our involved speakers, and guests. From March 2nd until April 9th we will post a letter of number a day on our minisite Because of the global health crisis CoViD , we are not able to facilitate our monthly meeting with the guests mentioned below.
We hope you are safe and that we will be able to pick up our programming as soon as possible. Her eclectic work was born back during university while taking illustration, painting and photography classes. He regards design as a perspective shifting and problem solving tool. He definitely excited us with his way of looking at the alphabet as three-dimensional objects that he posted on Behance. In his talk, he will grant us a look behind the curtains and talk about his creative choices involved in creating these virtual sculptures.
Born in Argentina, she came via Barcelona and London before settling in Amsterdam.